…then there are days when you really don’t have the time to write.
I have just finished my concert with the Hungarian Radio Symphony at the Liszt Academy on November 22 when received a call from the tour manager of the Hungarian National Philharmonic Orchestra. They were on the road in Poland and the conductor, János Kovács was hospitalized. I agreed to step in after my Eötvös-Bartók performance in Hamburg (November 23) and joined the orchestra in Wroclaw, Poland the next day. We had a one hour acoustical rehearsal at the amazing new concert hall built for the program of “Cultural Capital of Europe, Wroclaw 2016″, and we hit the ground running with the following program:
Kodály: Dances of Galánta
Liszt: Piano Concerto No.1 (Dávid Báll -piano)
Bartók: Concerto for Orchestra
(Encores: Brahms Hungarian Dance No.1 and Berlioz Rakóczi March)
Thee more concerts followed with great success (and a whole lot of bus riding in between). The Hungarian National Phil musicians and myself were having a ball.
Poland is a lucky country to have so many great, new concert halls. Three out of the four we have performed at were built in the last two years. Among these, the venue for our tour-closing performance was probably the best I have ever performed at (including Disney Hall!). The concert hall of the National Polish Radio Orchestra in Katowice is not only a great work of architecture but also the perfect mix of beauty and functionality with amazing acoustics for symphonic music.
Take a look!
This orchestra tour was part of the Hungarian Season in Poland commemorating the 1956 Revolution. Originally Zoltán Kocsis, world famous pianist and music director of the Hungarian National Philharmonic, who just recently passed away, was supposed to conduct all the concerts. We have been performing in his memory as well.
I am back in Hamburg, Germany today. The very last performance of the Eötvös: Senza sangue, Bartók: Bluebeard’s Castle production is tomorrow evening at the Staatsoper. The revival is schedueled for February 2018.