I am about to take another brief break from Eötvös and Bartók, and take a short trip to London to conduct Mozart’s Magic Flute with the staging of Róbert Alföldi http://alfoldirobert.eu
as part of the Armel Opera Festival Days at the Hackney Empire Theater.
This is going to be my London debut.
The director has placed Mozart’s magical opera-characters between the walls of a mental institution, where everybody has his or her own mental issue. Magically (pun intended) this idea works really well and highlights some of the more interesting twists and turns of the original story. Just think about it for a second: who is the bad guy here? Is it really the Queen of the Night or is it Sarastro? Is everything black and white like we would like it to be?
Check out the full Armel program at the Hackney Empire here including the ‘In Memory of 1956’ concert program on October 23 conducted by Adam Fischer http://hackneyempire.co.uk
Just got home from an hour long live radio interview at Klub Radio. I spoke about the past, about Hungary and the U.S., about conducting, playing the clarinet and composition.
I got to speak about Peter Eötvös http://eotvospeter.com
the Huntsville Symphony http://hso.org
the Hungarian Radio Symphony Orchestra http://mrze.hu
and first and foremost about the Armel Opera Festival. http://armelfestival.org
If you happen to speak or at least understand Hungarian, you are welcome to listen to the show online here 🙂 http://klubradio.hu
The show is called ‘Örömzene’ which translates as “jam session for fun”.
The last segment of the interview was all about the two hour daily program of the Armel Opera Festival in the frame of the the Sziget Festival http://szigetfestival.com
the biggest rock-pop music summer festival in Central Europe.
Starting tomorrow the Armel Opera Festival presents a two hour long fun and interactive musical program including a series of “Opera Sitcom” performed by the students of the Franz Liszt Academy of Music, directed by Andras Almasi Toth. I’ll be leading the audience in an interesting improvisation exercise based on a composition by Peter Eötvös called “Triangel”. Audience members will be distributed triangles of all shapes and sizes and I will play along with me, also hitting three different size triangles wherever I can. The program ends with ‘Conduct Me!’ where brave audience members can get a crash course in conducting from me and get in front of the orchestra and singers and conduct live. On the rep: Aria of The Queen of the Night, Brindisi by Verdi, Prelude and Habanera from Carmen.
I am looking forward to the challenge of engaging audiences that are not necessarily familiar with classical music and opera and make them realize how much fun it actually is to discover Mozart and even contemporary classical music for yourself. I am also happy to share the same island (on river Danube) with several thousand of music lovers and artists like Robbie Williams, the Gogol Bordello or Mariza.
Tonight we concluded the 2015 Armel Opera Festival in Budapest, Hungary with two one act operas performed by the Josef Kajetán Tyl Theater (Plzeň,Czech Republic). The international jury Esther Lehoczky, Commissioning Editor of the Arts Department of Arte TV, Henry Little, Chief Executive of Orchestras Live, Dieter Kaegi, General Director of Theater and Orchestra of Biel-Solothurn-Bienne/Soleur, Kjell Englund, Managing and Artistic Director of Norrlandsoperan, Umea, Sweden and myself decided on Best Performance and Best Singer of this year’s festival.
French soprano Marlène Assayag won Best Singer Award for her performance in The Magic Flute directed by Robert Alfoldi.
Best Performance Awared went to: Van Parys: Private View performed by Muziektheater Transparant (Antwerpen, Belgium), directed by Tom Creed.
The Jury decided to give a Special Award to Pannon Philharmonic for their outstanding work in Donizetti’s The Siege of Calais and in Van Parys: Private View.
Everyone can cast a vote online for one production during the next four weeks.
Click here: http://concert.arte.tv/fr/search/site/armel
The production that gets the most votes from the audience will be presented a prize once the voting ends. Please consider watching this years performances and voting for the one you think is the best!