Georgia Bottoms in Budapest, Interviews, Reviews, Videos

A pretty long, exhausting and fun period is over. Georgia Bottoms, A Comic Opera of the Modern South had a new, Hungarian production in the frame of CAFe (Contemporary Art Festival) Budapest at the Liszt Academy. The production was a success, the audience loved it and so far the critics had a positive opinion as well. I am glad, that this 85 minute long, one act chamber opera made quite a few people among Hungarian intellectuals to go online and buy Mark Childress’ original novel, Georgia Bottoms. The book deserves attention, and a great translation for the European and Hungarian market. Luckily, many of the intellectuals interested in my art can speak and read English. They all bought the book here, and you should, too!
http://www.amazon.com

Unfortunately however, – this is what happens when a country has a language that nobody else is speaking,- all the interviews and reviews below are in Hungarian. This time being a Hungarian has an advantage: you get way more info about the opera, the production and you can also read about many other topics that came up in the interviews in the original language. I translated a couple of things below for my English speaking friends, and I can promise you that no music-lover will be left behind. I am in the process of translating a selection of the interviews and posting them online as soon as I can. In the meantime, enjoy what you can by clicking on the links below!

Let’s start with a really well translated interview with Rebecca Nelsen, who has been doing Georgia Bottoms’ role for the second time in two years. I myself have learned a couple of interesting, new things about what it’s like to be a woman in the South.
“The Era of Just Standing And Singing Is Over”
http://www.fidelio.hu

By clicking on the link below you can read the very first (posted just a couple of hours after the Sunday premiere) instant feedback by a local theater/ music-theater blogger. She will be posting more about Georgia Bottoms, once the entire CAFe Budapest Festival is over.
http://www.mezeinezo.hu

Here are three interviews with me, mostly about Georgia Bottoms, but also about teaching, conducting and politics.
“When A Chord Sounds That Can Feel Really Good”
http://www.operavilag.net

“I Want to Write Music I’ve Never Heard Before”
http://www.theater.hu

“Constant Failures Mean The System Is Working”
http://www.papageno.hu

“You Cannot Put 9-11 Into Music” (interview) + “Bittersweet Georgia” (review)
These articles will be available for free soon via the website link below.
According to this review my music is from the Deep South 🙂 The critic loved the humor of the opera in text, in music and in staging as well/ “…a mĂşlt vasárnapi bemutatĂłn átĂĽtĹ‘vĂ© vált a mű humora: szövegben, játĂ©kban Ă©s – Ă©ppen nem mellesleg – zenĂ©ben egyaránt.”
http://magyarnarancs.hu

“Under Lucky Stars”
This critic loved the production in every way possible, including the staging by Andras Alamai Toth, the singing of the entire cast, especially Rebecca Nelsen and Keith Browning, the quality of the musicians of Ensemble UMZE, and the music itself. The critic had a nice summary of my music as well, Let me copy it here, first just in Hungarian.

“A muzsika majd’ minden hangjábĂłl árad az amerikai DĂ©l hangulatát megidĂ©zĹ‘ couleur locale, de hiba lenne, ha csak ennyit jegyeznĂ©nk meg az igĂ©nyes kompozĂ­ciĂłrĂłl, mely (az utĂłbbi Ă©vek kortársopera-tendenciáival ellentĂ©tben) jĂłval több egyszer használatos alkalmazott zenĂ©nĂ©l: saját Ă©rtĂ©kĂ©nĂ©l fogva is emlĂ©kezetĂĽnkbe vĂ©sĹ‘dik, miközben hĂ­ven festi a szöveg dramaturgiai fordulatait. A posztmodern jĂł szokásához hĂ­ven bĹ‘ven idĂ©z kĂĽlönbözĹ‘ zenei stĂ­lusok eszköztárábĂłl, ám ezeket egysĂ©ges keretbe foglalja – sosem támad az az Ă©rzĂ©sĂĽnk, hogy bármely hang is öncĂ©lĂşan kerĂĽlt volna a partitĂşrába. Ez a határozott zeneszerzĹ‘i egyĂ©nisĂ©g biztos ismertetĹ‘jegye.”

http://nepszava.hu

The FaceBook page of CAFe Budapest festival. There is an interview with me about Georgia Bottoms and about getting our of your comfort zone in general. Again, the interview is in Hungarian, but the “Day 3 of the Festival” video can be enjoyed without speaking this one of a kind language.
http://www.facebook.com/CAFeBudapestOfficial

Oh yes, and I did get to translate Mark Childress’ RAP lyrics for a newly added scene into Hungarian for the surtitles. I even made it rhyme. 🙂

The Season of Operas

On Monday we are starting the second week of ‘DialogScene’ workshop organized by the Peter Eötvös Contemporary Music Foundation. I will be moderating a “meet the audience” session in the evening.
http://www.bmc.hu
The final performance of the five brand new operas composed by young composers from all over the world, and directed by young Hungarian directors (music-theater directors’ class of Tamás Ascher) is open to the audience and will be held in the evening of Friday, September 15.
Click below for more details.
http://www.bmc.hu

When I am not teaching I am composing new music to my first opera, The Giant Baby. The world premiere will take place in Vienna as part of the 2018 Armel Opera Festival. I am having a lot of fun with totally re-writing the music to the slightly altered libretto based on the 1926 Dadaist play by Hungarian Author Tibor DĂ©ry.
https://www.britannica.com

Just so we stick to the theme of the fall of 2017, my latest stage work, ‘Georgia Bottoms, A Comic Opera of the Modern South’ will get a new production at the Academy of Music as part of CAFe Budapest (Contemporary Art Festival Budapest). Rebecca Nelsen, who sang the title role in Huntsville two years ago returns as Georgia. Also in the role of her son, Nathan I am happy to have the young and talented American baritone, Keith Browning from the original cast. Author of the novel, Georgia Bottoms, my co-librettist, Mark Childress (who will also be here for the Hungarian premiere) and I have added two completely new scenes and changed one of the old ones to make the story more complete. Changes were needed also to give a little resting time and more than a minute to change costumes for rebecca as Georgia Bottoms. The staging will be done by Andras Almasi Toth, and the other 9 roles will be sung by talented Hungarian singers, including Andrea Meláth, head of the Vocal Department of the Liszt Academy. Here are the dates for the performances:
October 8 and 10
and a link to the website of CAFe Budapest:
https://www.cafebudapest.hu

Georgia’s beating the drums

I often get the question from people following my ever busy conducting schedule: “When do you have time to compose?” In my usual sarcastic Eastern-European way I usually respond with: “Never.” But seriously it is always Gustav Mahler that comes to mind. (Strictly in the sense of comparing busy schedules and not putting myself on the same pedestal.) He could only compose during summer breaks because his opera music director duties were extremely busy during the season. (Then there is the famous story of loud cow bells disturbing him so much then he put their sound into his symphonies. This is how distraction becomes inspiration.)
In any case, summers have always been the time for composing. After ending my 13-14 season a few weeks ago [now take a quick look to the right and read the outline of season 14-15!] I am now busy with finishing Georgia Bottoms, A Comic Opera of the Modern South. It is going to be a three act opera, 80-90 minutes total, for 11 singers and 19 musicians. The story is based on the 2011 novel of well-known American writer, Mark Childress.
https://www.amazon.com/Georgia-Bottoms
Just like with movies, I suggest you first read the book (also available on Kindle and on iTunes as an audio book) then come and see/ listen to Georgia Bottoms The Opera.
Also don’t forget to visit and LIKE our production page on FaceBook
https://www.facebook.com/GeorgiaBottomsTheOpera
Right after finishing Georgia I will be diving into composing a triple concerto for three percussion players and orchestra. The piece, called ‘Drums Drums Drums’ is dedicated to and will be performed by Zoltan Racz and Aurel Hollo
http://www.amadinda.com
and the amazing drum-set player Gergo Borlai
http://www.drummerworld.com/drummers/
The World Premiere of ‘Drums Drums Drums’ will happen as part of the “Amadinda 30” concert series at Palace of the Arts, Budapest, in February 2015, just a week or so after the Huntsville permiere of Georgia Bottoms.
I will keep you posted on the developments. Now back to composing.