The Season of Operas

On Monday we are starting the second week of ‘DialogScene’ workshop organized by the Peter Eötvös Contemporary Music Foundation. I will be moderating a “meet the audience” session in the evening.
http://www.bmc.hu
The final performance of the five brand new operas composed by young composers from all over the world, and directed by young Hungarian directors (music-theater directors’ class of Tamás Ascher) is open to the audience and will be held in the evening of Friday, September 15.
Click below for more details.
http://www.bmc.hu

When I am not teaching I am composing new music to my first opera, The Giant Baby. The world premiere will take place in Vienna as part of the 2018 Armel Opera Festival. I am having a lot of fun with totally re-writing the music to the slightly altered libretto based on the 1926 Dadaist play by Hungarian Author Tibor Déry.
https://www.britannica.com

Just so we stick to the theme of the fall of 2017, my latest stage work, ‘Georgia Bottoms, A Comic Opera of the Modern South’ will get a new production at the Academy of Music as part of CAFe Budapest (Contemporary Art Festival Budapest). Rebecca Nelsen, who sang the title role in Huntsville two years ago returns as Georgia. Also in the role of her son, Nathan I am happy to have the young and talented American baritone, Keith Browning from the original cast. Author of the novel, Georgia Bottoms, my co-librettist, Mark Childress (who will also be here for the Hungarian premiere) and I have added two completely new scenes and changed one of the old ones to make the story more complete. Changes were needed also to give a little resting time and more than a minute to change costumes for rebecca as Georgia Bottoms. The staging will be done by Andras Almasi Toth, and the other 9 roles will be sung by talented Hungarian singers, including Andrea Meláth, head of the Vocal Department of the Liszt Academy. Here are the dates for the performances:
October 8 and 10
and a link to the website of CAFe Budapest:
https://www.cafebudapest.hu

Georgia’s beating the drums

I often get the question from people following my ever busy conducting schedule: “When do you have time to compose?” In my usual sarcastic Eastern-European way I usually respond with: “Never.” But seriously it is always Gustav Mahler that comes to mind. (Strictly in the sense of comparing busy schedules and not putting myself on the same pedestal.) He could only compose during summer breaks because his opera music director duties were extremely busy during the season. (Then there is the famous story of loud cow bells disturbing him so much then he put their sound into his symphonies. This is how distraction becomes inspiration.)
In any case, summers have always been the time for composing. After ending my 13-14 season a few weeks ago [now take a quick look to the right and read the outline of season 14-15!] I am now busy with finishing Georgia Bottoms, A Comic Opera of the Modern South. It is going to be a three act opera, 80-90 minutes total, for 11 singers and 19 musicians. The story is based on the 2011 novel of well-known American writer, Mark Childress.
https://www.amazon.com/Georgia-Bottoms
Just like with movies, I suggest you first read the book (also available on Kindle and on iTunes as an audio book) then come and see/ listen to Georgia Bottoms The Opera.
Also don’t forget to visit and LIKE our production page on FaceBook
https://www.facebook.com/GeorgiaBottomsTheOpera
Right after finishing Georgia I will be diving into composing a triple concerto for three percussion players and orchestra. The piece, called ‘Drums Drums Drums’ is dedicated to and will be performed by Zoltan Racz and Aurel Hollo
http://www.amadinda.com
and the amazing drum-set player Gergo Borlai
http://www.drummerworld.com/drummers/
The World Premiere of ‘Drums Drums Drums’ will happen as part of the “Amadinda 30” concert series at Palace of the Arts, Budapest, in February 2015, just a week or so after the Huntsville permiere of Georgia Bottoms.
I will keep you posted on the developments. Now back to composing.