From Frankfurt to the Red Comet

Last week I made my debut with the Frankfurt Radio Symphony. It was an amazing experience with a great orchestra made of open minded and friendly musicians. The audience at the “Sendesaal” of the Frankfurt Radio was very appreciative and enthusiastic. There was a fun pre-concert talk as well attended by about 200 people. On the program entitled ‘The Hungary of Eötvös’, there were all Hungarian contemporary pieces from four generations of composers including myself.’Concertino’ by József Sári, ‘Passacaglie’ by László Tihanyi, ‘Leviation’ by Péter Eötvös and my ‘Drums Drums Drums’ for three percussion players and orchestra.
http://www.hr-online.de
I was really happy about the reception of my percussion triple concerto. There was a ‘rock-concert feel’ to the performance and also to the reaction of the audience, just what I was hoping to achieve. I am looking forward to the next performance of this composition of mine in January 2018 with the Pannon Philharmonic!

The first radio broadcast of the Frankfurt concert will be on May 15 followed by a re-broadcast not long after. I will keep you posted.

I am back in Hungary now gearing up for many performances to come. The next two long months have kicked off with a project of the International Young Soloists (musicians from the UK and Hungary) with a program of Haydn, Mozart and Beethoven to be played at two small venues this week. In the meantime I have started working with the singers for Ligeti’s ‘Le Grand Macabre'(performance at the Erkel Theater on May 26: hence the RED COMET, if you remember the famous coloratura soprano aria!), and had my first read-though rehearsal with the Modern Art Orchestra. The latter one is Hungary’s leading Big Band. On May 28 at the Budapest Music Center I will be conducting a few arrangements of my music (Adagio from the Clarinet Symphony among them), and some great music by Duke Ellington and Pat Metheny among others.
http://www.bmc.hu

I will post more later about the upcoming opera productions in the frame of the “Hungarian Opera Festival” in the month of May and June. Stay tuned for a revival of the “Hungarian Late Night” show and two performances of “Spring Awakening” by Máté Bella and “La Violetta” by Árpád Solti at the Liszt Academy!

Grand Opera, 20th Century Classics and New Music

First performance of Verdi’s Don Carlo went well on Friday. I am ready for the second one tonight, and two more in the next two weeks (Nov 28, December 5). What a truly grand work full of unparalleled beauty and endless inventions!
In the meantime UMZE Chamber Ensemble and myself have been preparing for our Monday evening concert at the Budapest Music Center.
I programmed pieces by Hungarian composers living abroad along with 20th Century classics for ensemble.

Pierre Boulez: Dérive 1
Bálint Karosi: Ciaccona (Hungarian premiere)
Bálint Karosi: Sanguine (Hungarian premiere)
Claude Debussy: Brouillards – (Préludes II/1)
András Hamary: Brouillards – Three Movement to the Prelude of Claude Debussy (Hungarian premiere)

András Hamary: Hommage à Janáček for piano (for right hand) and winds (Hungarian premiere)
Leos Janáček: Capriccio for piano (for left hand) and winds

The two Hamary http://www.hamary.de compositions are clear homages to Debussy and Janáček, and are full of strong, simple and original musical ideas. Ciaccona by Karosi http://www.karosi.org is a inventive take on Boulez’s Dérive 1 while his Sanguine is a fun and virtuoso ensemble piece.

Peter Kiss will be the soloist for both the Janáček Capriccio and Hamary’s ‘Hommage à Janáček’ and he will be playing the original piano prelude by Debussy as well.
http://kisspeterpianist.hu

WOW Verdi

Sure I know, Verdi was a genius. I have always known that. Everybody knows that. When you are studying one of his operas however it all just hits you again. I have not done a fully staged Verdi for years (I was fortunate to do ‘Un ballo in maschera’ at the Montreal Opera) but now it is time again. I will be conducting four performances of ‘Don Carlo’ at the Budapest Opera (Erkel Theater) at the end of November and first week of December. Amazing ideas, inventive harmonies, unparalleled characters, genius orchestration. I am having an amazing time just studying it.
Five Acts in three parts, over three hours of great music by Giuseppe Verdi.
http://opera.hu

I titled my blog post ‘WOW Verdi’ because I felt the urge to write about the way learning truly amazing music makes me feel. Talking about that, before I get in the pit of the Erkel Theater in Budapest I will be conducting another great, however completely different kind of show in Huntsville and will be even playing the clarinet.

On Friday, just 8 days from today Kirill Gerstein
http://kirillgerstein.com
will be joining the HSO in Beethoven’s Piano Concerto #4 followed by Bruckner’s Symphony #4 ‘Romantic’.
Kirill, pianist extraordinaire and a good friend has agreed to open our Casual Classics series as well just two days after he plays with the orchestra. This is where I pick up my clarinet and along with principal wind players of the Huntsville Symphony will perform Beethoven’s Quintet for Piano and Winds. The first Casual Classics of the season is called “Beethoven Conversations” and will be held at Roberts Hall of University of Alabama, Huntsville. Join us Sunday at 3:30PM if you are interested in hearing Kirill and I talk about Ludwig and about other composers and classical music related, exciting stuff as well. And of course, there will be music played by Beethoven. He was a genius. But everybody knows that.

Last Friday I conducted the HSO’s first concert in the Pops Series. We presented live magic acts with live symphonic music including pieces by Liszt, Saint-Saens, Berlioz, John Williams and others. Michael Grandinetti illusionists did an amazing job with our Halloween audience and let our orchestra shine in making music as well as in doing a mind reading trick with the audience. Want to know more? You are just going to have to check out Michael’s shows!
http://www.michaelgrandinetti.com

8+1+1/2 Operas

The next year (this time I mean 365 days and not “next season”) is about to bring 8+1+1/2 operas. Let’s start with the +1. After the successful recording session and Hungarian premiere performance of Peter Eotvos’
Paradise Reloaded (Lilith)
http://eotvospeter.com
the composer, myself and the amazing sound engineers of the Hungarian Radio have just concluded the final editing of the studio recording of this work. This hopefully means that a commercial recording of the work will be out soon, most likely with the BMC (Budapest Music Center) label. A professional TV recording of the live performance at the Palace of the Arts will also be aired on TV sometimes in 2014. I will keep you posted.
The “half opera” is in fact an adaptation of the newest music theater work by Peter Eotvos. The world premiere is just happening at the end of June in Frankfurt, Germany. The opera is called ‘The Golden Dragon’
http://eotvospeter.com/commissions
and it is based on a play by famous writer, playwright Roland Schimmelpfennig. I’ll be doing the English language adaptation of this work originally written in German. This involves adapting the text to the music (I’ll be working from the official English language translation + a raw translation of the libretto) and also doing some compositional work in case it is needed.

In the next two weeks I’ll be working with one of the professional orchestras of the city of Budapest called Concerto Budapest.
http://en.concertobudapest.hu
They reside at the Franz Liszt Academy of Music where we will be performing 5 chamber operas under the title “Operatic Sketches”. One of the works is entitled Roman Fever and was written by the head of the Composition Department, Gyula Fekete.
http://www.bmc.hu
The other four works are world premieres composed by students, sung by students of the Academy of Music. The stage director is my good friend (and writer of the libretto of my one act opera, Barbie Blue) Andras Almasi Toth.
More info here:
Operatic Sketches
http://zeneakademia.hu/en

In September 2014 I’ll be the conductor of the new fully staged production of ‘The Tenor’ by Ernest von Dohnanyi. This will be the first staging of this work since the 1930s and the season opening production of Erkel Theater. Another production I am doing at the Academy of Music is, guess what, yet another Eotvos opera. 🙂 A combined group of professional and student musicians and singers and myself are presenting ‘Lady Sarashina’
http://www.eotvospeter.com
as the closing performance of Cafe Budapest (Budapest Contemporary Arts Festival) in October, 2014. This will be the fifth Eotvos stage work I conduct.
In May 2015 I am conducting a shortened version of Ferrucio Busoni’s opera, Doctor Faust
http://en.wikipedia.org
as part of the “Faust Festival” at the Hungarian State Opera.

And finally “opera #8” and obviously the most exciting challenge for me in Season 14-15 is the World Premier of my own work
Georgia Bottoms, A Comic Opera of the Modern South
Naturally I will be posting a lot about this project. For now here is a link to the book ‘Georgia Bottoms’
Mark Childress
http://www.crazyinalabama.com

You may also look up and LIKE the page ‘Georgia Bottoms, A Comic Opera of the Modern South’ on FaceBook.