Crazy Schedule

Yeah, I know it is the Oscars tonight. I am going to have to read about it in the news this week.

It is true that I don’t shy away from working long hours for an extended period of time. Sometimes, however, the perfect storm happens. Tomorrow and on Tuesday I will be rehearsing with the Hungarian Radio Symphony 10AM-5PM, then at the Liszt Academy for the “Hungarian Late Night” production of the Budapest Opera 6PM-10PM. After the rehearsals I will be working with the musicians of the Hungarian Radio Symphony orchestra at the Budapest Music Center to record my newest composition ‘Alice Etudes’ for clarinet an string quartet. On Wednesday there’s another Radio Symphony rehearsal and the dress rehearsal for the one act operas. Thursday is the day for dress rehearsal and concert with the Radio Symphony. On Friday we premiere the one act operas of the “Hungarian Late Night” production, The second performance is on Saturday.

Looking forward to a wild ride! Wish me luck and check out the following links:

https://www.mrze.hu
https://www.zeneakademia.hu

And this…
Come on Ladies and Gentlemen, somebody please push this over the finish line! 😉
Thanks
https://www.gofundme.hu

8+1+1/2 Operas

The next year (this time I mean 365 days and not “next season”) is about to bring 8+1+1/2 operas. Let’s start with the +1. After the successful recording session and Hungarian premiere performance of Peter Eotvos’
Paradise Reloaded (Lilith)
http://eotvospeter.com
the composer, myself and the amazing sound engineers of the Hungarian Radio have just concluded the final editing of the studio recording of this work. This hopefully means that a commercial recording of the work will be out soon, most likely with the BMC (Budapest Music Center) label. A professional TV recording of the live performance at the Palace of the Arts will also be aired on TV sometimes in 2014. I will keep you posted.
The “half opera” is in fact an adaptation of the newest music theater work by Peter Eotvos. The world premiere is just happening at the end of June in Frankfurt, Germany. The opera is called ‘The Golden Dragon’
http://eotvospeter.com/commissions
and it is based on a play by famous writer, playwright Roland Schimmelpfennig. I’ll be doing the English language adaptation of this work originally written in German. This involves adapting the text to the music (I’ll be working from the official English language translation + a raw translation of the libretto) and also doing some compositional work in case it is needed.

In the next two weeks I’ll be working with one of the professional orchestras of the city of Budapest called Concerto Budapest.
http://en.concertobudapest.hu
They reside at the Franz Liszt Academy of Music where we will be performing 5 chamber operas under the title “Operatic Sketches”. One of the works is entitled Roman Fever and was written by the head of the Composition Department, Gyula Fekete.
http://www.bmc.hu
The other four works are world premieres composed by students, sung by students of the Academy of Music. The stage director is my good friend (and writer of the libretto of my one act opera, Barbie Blue) Andras Almasi Toth.
More info here:
Operatic Sketches
http://zeneakademia.hu/en

In September 2014 I’ll be the conductor of the new fully staged production of ‘The Tenor’ by Ernest von Dohnanyi. This will be the first staging of this work since the 1930s and the season opening production of Erkel Theater. Another production I am doing at the Academy of Music is, guess what, yet another Eotvos opera. 🙂 A combined group of professional and student musicians and singers and myself are presenting ‘Lady Sarashina’
http://www.eotvospeter.com
as the closing performance of Cafe Budapest (Budapest Contemporary Arts Festival) in October, 2014. This will be the fifth Eotvos stage work I conduct.
In May 2015 I am conducting a shortened version of Ferrucio Busoni’s opera, Doctor Faust
http://en.wikipedia.org
as part of the “Faust Festival” at the Hungarian State Opera.

And finally “opera #8” and obviously the most exciting challenge for me in Season 14-15 is the World Premier of my own work
Georgia Bottoms, A Comic Opera of the Modern South
Naturally I will be posting a lot about this project. For now here is a link to the book ‘Georgia Bottoms’
Mark Childress
http://www.crazyinalabama.com

You may also look up and LIKE the page ‘Georgia Bottoms, A Comic Opera of the Modern South’ on FaceBook.

“All music –smiles the minister –is incidental”

Tomorrow (Sunday) at 7:30PM (Budapest time) singers Alinka Kozari, Katalin Karolyi, Gyorgy Philipp, Ensemble UMZE and myself will perform an extremely versatile and exciting program. All three pieces are Hungarian Premiere. The concert is part of the program of Budapest Spring Festival 2014. The venue for the concert is the amazingly beautiful concert hall of the Budapest Music Center.
http://www.bmc.hu

Balazs Horvath ‘Assemblage’ is a composition for ensemble with instrumental soloists who also act. The violinist is the musician who wants to take over the lead from the conductor; the horn player is the actual, real “soloist” (with very difficult material to play). The bugle player is dressed as a clown and behaves as such. The bassoonist acts like “your typical orchestral musician” (not my opinion, so direct your criticism directly towards the composer! ☺) The ensemble enters by playing on pots and pans while the conductor leads the procession in a drum major function (I do have a real drum major baton!) There are Four Scenes and for the 4th one the musicians move to the back of the hall mirroring their downstage seating. We even take a bow at the end with our back to the audience.
This is a very well written, very well thought through “instrumental theater” piece. It is a lot of fun and all of us are having a ball.
Visit the composer’s website here:
http://www.balazshorvath.com

‘Eight Songs for a Mad King’ by Sir Peter Maxwell Davies, CH, CBE, composer and conductor, Master of the Queen’s Music was written in 1969 and is still a fully valid, musically and dramatically engaging, powerful piece of music theater. (How does one become the Master of the Queen’s Music after being an experimental, avant-garde composer is a different story and should be the topic of a separate blog entry.) A strong and captivating performance is in the making with Gyorgy Philipp as “King George III” with some serious contemporary overtones in the direction of Andras Almasi-Toth. Let me just say, that while homeless people are banned from public spaces in the City of Budapest “our King George” is dressed as a bum and acts totally crazy and inappropriate. He won’t let security to remove him from the theater hall and ends up leaving on his own terms, exhausted, figuratively and literally naked with the accompaniment of the conductor and the drummer.
Here is some reading material about ‘8 Songs’:
http://www.classicalsource.com

The well-known story of the Pied Piper comes to life in the 40 minute long masterpiece by George Benjamin. Two singers (soprano and alto) are playing and acting all the characters. The Minister would do anything to get reelected. The Crowd wants only one thing, to get rid of the rats in the city. (Rats? Just watch out for the projected images in Andras Almasi-Toth’s interpretation! You’ll find even more contemporary political allusions… Let me state at this point, that this concert was supposed to happen over a year ago. The fact, that we are playing it just two weeks before the Hungarian general election is merely a coincidence! ☺) And the story of the Pied Piper continues…
George Benjamin’s music is almost unknown to the Hungarian audience. I am really happy to be able to present this major work of his with really great singers in both roles. Here is another great work about the power of music.
Read more about this chamber opera –about the power of music –, in a NY Times review from 2007:
http://www.nytimes.com

Tomorrow’s concert is a journey from Instrumental Theater through Monodrama to Chamber Opera; and music, of course is much more than just incidental.