Jacques And Richard Without Words

We are ready for our next adventure this weekend. Huntsville Symphony presents “Wagner Without Words” at the Von Braun Center on Saturday evening. The stage will be packed with musicians and instruments including some unusual ones like 4 Wagner-tubas, bass trumpet, anvils (in reality they are different size brake drums and other pieces pf metal). We are going to have 4 (!) harps on stage as well. Conductor Lorin Maazel, encouraged by Wieland Wagner, grandson of the composer, created a symphonic synthesis of Richard Wagner’s famous “Ring Cycle”.
Maazel wanted to
ONE a free-flowing synthesis (no stopping in between scenes or operas) in a chronological order starting with the first notes of ‘Rheingold’ and finishing with the very end of ‘Götterdämmerung’
TWO the transitions between scenes must be musically flawless
THREE most of the parts of ‘The Ring’ originally written for orchestra alone (no voices) must be included
FOUR every note must be Wagner’s own

The end product is a 75 minute long gorgeous piece of music for a huge orchestra. It includes the most original and powerful musical moments of the entire cycle and presents Wagner’s orchestral writing at its best.
Going down the “without words” path I have selected two short pieces by Jacques Offenbach, ‘Intermezzo and Barcarole’ from ‘The Tales of Hoffmann’ and ‘Overture to Orpheus in the Underworld’ to make up the first half of the concert. It only takes about 20 minutes to play these two pieces, but then again we will make up for the length in the second half of the show.
Why put Offenbach’s
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music with Wagner’s?
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First, they were contemporaries.
Second, they were both highly successful and popular, and had a great sense of stage.

I believe, that putting ‘Can Can’ and ‘The Ride of the Valkyries’ on the same program makes for and entertaining yet thought provoking evening. If you like popular melodies and great orchestra playing do not miss this concert!

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