The title of this post “When Things Come Together” could also be “When Many Things Happen at the Same Time”. Professional achievements in arts do not follow a straight timeline. After finishing a highly successful conducting masterclass for the Eötvös Contemporary Music Foundation (In focus: Bartók, Kurtág and Lachenmann) I dove into the preparation of the Academy of Music production of Hans Werner Henze’s opera, Elegy for Young Lovers. This is the year end stage performance exam of the students and also the closing production of Armel Opera Festival 2016. There will be a live broadcast on the website ARTE TV. Please follow the link next to the production details here:
Side note: today is Henze’s 90th Birthday and the percussion players of the Pannon Philharmonic presented mini-Milka chocolate bars placed in an upside down cymbal (see picture on FaceBook). I just love these “artsy” coincidences. And chocolate is always good.
In the meantime ARMEL Opera Festival performances are on every evening (and also can be watched online thanks to ARTE) therefore I spend a lot of time giving interviews to papers, TV and radio stations, cultural websites during the day.
Two days ago László Gőz, director of the Budapest Music Center called a meeting for everybody who participated and helped the making of the first ever studio recording of Peter Eötvös’ opera entitled “Paradise Reloaded (Lilith)”. BMC staff members and leadership (practically the producers of the recording) and colleagues from the Hungarian Radio and from Palace of the Arts (they were co-producers of the 2014 recording and live performance) were there along with the composer himself and his wife (also librettist of the opera). We opened champagne and talked about the long process of how this wonderful recording finally came to life. It took more than two years but things definitely did come together for this project.
I am planning to write in detail about this and another World-premiere recording (Dohnányi: The Tenor) I conducted in 2014-15 once both CDs are available to the general public.
Things all came together in the last few weeks: a busy and successful conducting masterclass, a very promising Henze production rehearsal period, an exciting opera festival, and an intimate celebration of a new product: a contemporary opera’s World Premiere CD recorded in 2014, with a September 2016 release date.