Tonight we concluded the 2015 Armel Opera Festival in Budapest, Hungary with two one act operas performed by the Josef Kajetán Tyl Theater (Plzeň,Czech Republic). The international jury Esther Lehoczky, Commissioning Editor of the Arts Department of Arte TV, Henry Little, Chief Executive of Orchestras Live, Dieter Kaegi, General Director of Theater and Orchestra of Biel-Solothurn-Bienne/Soleur, Kjell Englund, Managing and Artistic Director of Norrlandsoperan, Umea, Sweden and myself decided on Best Performance and Best Singer of this year’s festival.
French soprano Marlène Assayag won Best Singer Award for her performance in The Magic Flute directed by Robert Alfoldi.
Best Performance Awared went to: Van Parys: Private View performed by Muziektheater Transparant (Antwerpen, Belgium), directed by Tom Creed.
The Jury decided to give a Special Award to Pannon Philharmonic for their outstanding work in Donizetti’s The Siege of Calais and in Van Parys: Private View.
Everyone can cast a vote online for one production during the next four weeks.
Click here: http://concert.arte.tv/fr/search/site/armel
The production that gets the most votes from the audience will be presented a prize once the voting ends. Please consider watching this years performances and voting for the one you think is the best!
I feel really fortunate that I got to spend the last 10+ days in the U.S. It is always amazing to witness historic changes real time. No matter what your opinion is on the three decisions made by SCOTUS, I am sure you all agree that they qualify most definitely for a historic event.
When not following history in the making I spent my time writing Clarinet Symphony for the Hungarian Radio Symphony Orchestra and making sketches for a libretto for a possible new opera.
This week I am back in Hungary. I am honored to be on the Jury of the Final Competition of Armel Festival. http://armelfestival.org/en/
Five performances from five countries with five you singers in competition roles. The festival starts with The Magic Flute directed by Robert Alfoldi. http://wikipedia.org
The performance is officially sold out. You can all watch it live on MEZZO TV http://concert.arte.tv/fr
and you can also vote on your favorite performance after watching all of them. You might be able to catch an interview with me in one of the intermissions.
Stay tuned for more posts on Armel 2015!
I’ve spent the last week at the Budapest Music Center teaching conducting at the “Boulez 90″ masterclass for conductors and composers.
The masterclass was organized by the International Eotvos Institute Foundation http://eotvospeter.com
The final concert of the master class, conducted by select students can be listened to live here http://radio.hu Just click on Radio/ Bartok and start listening at 1:35PM EST
The Eotvos Foundation printed some great fliers for the master class and the concert as well. They picked traffic signs like “Equal Crossing Roads” http://wikipedia.org
to represent the main message of the events.
Philippe Manoury http://wikipedia.org
Matthias Pintscher http://matthiaspintscher.com
are crossing roads for two days here in Budapest. They arrived yesterday, gave lectures and participated in a discussion for the ‘MUSTmeet Composer’ Series with my moderation and will be here for the concert tomorrow. The Hungarian Radio is doing interviews with both of them and the Goethe Institut Budapest, one of the sponsors of the events is making a video about the master class and the concert as well. I will post the video on FaceBook as soon as it becomes available.
Credits to my fellow professors: Peter Eotvos, Jean Philippe Wurtz http://ensemble-linea.com
to THReNSeMBle http://www.thrensemble.com
and to the staff of the International Eotvos Institute Foundation for making this master course a success!
I had a lot of fun!
The most difficult set of concerts I have ever done in my life was a 5 day-8 concert series with City Music Cleveland. Coming up with 8 different yet valid versions of Beethoven 8 in just 5 days was an extremely difficult task. The whole point of live music performance is to do things differently from one performance to the next. Whenever one gets to perform great war horses, like Carmina Burana, the pressure is on. You have to deliver your own version of a master piece without losing the true spirit of it. This is the real magic trick!
On Thursday the Rochester Oratorio Society, the Rochester Philharmonic, Leslie Ann Bradley, Anton Belov and Anthony Webb and myself performed a truly operatic, dramatic and at some points extremely funny Carmina Burana. I am looking forward to pulling another and different [!] rabbit out of my hat tonight. http://rpo.org
I very much enjoyed sinking my teeth into Roberto Sierras eccentric ‘Fandangos’ and Ginastera’s ‘Four Dances from Estancia’ as well. Lots of percussion, lots of groove, lots of energy!
It is a real honor and a lot of fun to conduct the season finale classical set with the RPO! These two concerts also mark the end of my 2014-15 season. No more conducting until a couple of summer concerts in August.
Starting next week I will be teaching a 10 day master class at the Budapest Music Center. http://bmc.hu
At the end of June I’ll be one of the judges of the International Armel Opera Competition and Festival. http://armelfestival.org
Soon I will be posting about the 2015-16 season, too.
“I, Faust, an Eternal Will” -sings Csaba Szegedi http://csabaszegedi.com
in the role of Doctor Faust in the unfinished opera by Ferruccio Busoni. http://wikipedia.org
Completed by Antony Beaumont, edited and cut to 90 minutes by director Mate Szabo http://port.hu
and myself tomorrow’s performance will be the Hungarian premiere of this early 20th Century opera. As part of the “Faust 225 Festival” I will be leading the orchestra of the Hungarian State Opera and chorus and select principal singers in two performances only.
I am happy to have hundreds of opera lovers join me on Friday and Sunday, along with some of my Huntsville friends to enjoy this unique work at the beautiful downtown Budapest building of the State Opera http://opera.hu
Both shows are virtually sold out.
Almost two years ago I posted about all the operas and ballets I had the pleasure to conduct during my professional career so far. http://gregoryvajda.com
As of today I am happy to add the following operas to this list:
Ernst von Dohnanyi: The Tenor
Peter Eotvos: Lady Sarashina
Ferruccio Busoni: Doktor Faust
Two concerts with Symphony Silicon Valley this weekend, one down one more to go. On the program:
Tchaikovsky: Romeo and Juliet Overture Fantasy
Rachmaninov: The Bells http://symphonysiliconvalley.org
This is my second time conducting Rachmaninov’s “choral symphony”. Here is my blogpost from 2013 about my performance with the Hungarian Radio Symphony with an “all about bells” theme: http://gregoryvajda.com
The sound of the famous “Russian Bells” of course can be found in Tchaikovsky’s Overture Fantasy as well, and also in the delicate sounds of Debussy’s mezmerising Nocturnes, with female voices added to the mix of the orchestra timbres.
More bells for me in the coming weeks. In between rehearsals and performances I spent most of my time in my hotel room while in San Jose, CA. Let me tell you, I was missing out on some beautiful weather. I spent several hours preparing my score and making additional cuts to Busoni’s opera, Doctor Faust. Two semi-staged performances are coming up at the Budapest Opera. The entire opera starts with the sound of Easter Bells and ends with the sound of more bells accompanying the strange and actually pretty blasphemous apotheosis of Dr. Faust. http://opera.hu
I am happy to have some of my Huntsville friends in Budapest for the second performance. They will be on a cruise ship on the Danube and will be stopping by in Budapest just in time to see me conduct Doktor Faust. I am looking forward to showing them around in my hometown and to spend some fun times together in my neck of the woods.
The 2014-15 Season of the Huntsville Symphony is ending on a high note, well actually on many high notes. The amazing Elina Vahala http://elinavahala.com
is back to play the powerful and extremely difficult Violin Concerto #2 by Bela Bartok. Our last classical concert opens with Les preludes by Franz Liszt and closes with Brahms’ Symphony No.1.
Just this week HSO has announced its 2015-16 season. Please click on this link to find out about all the details http://hso.org
My busy 15-16 season continues. Next week I am off to San Jose, CA to conduct a choral program with Symphony Silicon Valley. Right after that I jump into the production of Doctor Faust by Italian composer Ferruccio Busoni at the Budapest Opera, then back to the US to conduct the Rochester Philharmonic. Stay tuned! Also do not forget to Tune In on WLRH tomorrow morning 9AM EST to listen to Ginny Kennedy and myself talking about the Saturday concert and about the next season of HSO. http://wlrh.org
In the meantime here is the review of my concert with the Omaha Symphony from last week for your reading pleasure. http://omaha.com
Metabolism: the sum of the physical and chemical processes in an organism by which its material substance is produced, maintained, and destroyed, and by which energy is made available.
There is sure a lot of energy made available during the performance of Métaboles by Henri Dutilleux. What a great showpiece for orchestra! It comes second on our program this weekend with the Omaha Symphony. The concert opens with Debussy’s Danse (Tarantelle Styrienne) orchestrated by Maurice Ravel himself. Concluding the first half is the virtuoso Violin Concerto #3 by Saint-Saens. My soloist for this piece is the amazing David Kim, concert master of the Philadelphia Orchestra http://davidkimviolin.com
After a varied and fairly long first half we are playing only one composition for the second half of the concert. Shostakovich Symphony #1 is a long time favorite of mine. Written by a 19yo composer this symphony has everything we love Shostakovich for without the long shadow of Comrade Stalin over it.
About 9 years ago I was invited to conduct the Omaha Symphony for its last concert in their old concert hall. I was also asked to do a rehearsal in the then not yet finished new hall to help the acoustic adjustments the venue needed. This time I am really fortunate to conduct two shows of a truly exciting program in the Holland Center’s beautiful concert hall.
Dr. Myers is going to be one of my conversation partners at Huntsville Symphony’s third Casual Classics concert this Sunday afternoon. The concert is called “The Science of Music”- catchy title but somewhat misleading. We will not be talking about music theory or anything related to musicology. We will not be going into details about the physical properties of sound waves or what material should be used to cover the walls of concert halls. I for sure won’t be talking about the Human Genome project either. We are going to talk however about everything else that comes to mind. Dr. Robert A. Altenkirch President of University of Alabama Huntsville, a real life rocket scientist (hey, we are in Rocket City after all) http://uah.edu
and Dr. William Wilkerson, Chair of the Philosophy Department at UAH are on the conversation panel as well. http://uah.edu
Since I grew up with music all around me, it is second nature to me. So, I like to hear non-musicians talk about music. First and foremost, I want to hear what music means to my guests in their words. I want them to tell us in how music has helped them in their own life. We will also touch on the connections between music and different fields of science. We will be having a conversation, illustrated with live music played by the HSO, about topics like entropy (Haydn: Farewell Symphony), infinity (Bach: Never Ending Canon from The Musical Offering), construction and deconstruction (Bach-Webern: Ricercar).
Of course, I have my own strong opinion on how music is related to philosophy, genealogy and physics. Do you want to know what I think? Well then you are just going to have to come to Robert’s Hall at UAH at 3:30 p.m. this Sunday to find out. Who knows, I might even change my very strong opinion in the process…
Tomorrow I am off to Paris for a couple of days to listen to 70+ singers auditioning for the International Armel Opera Festival’s 2016 program. http://armelfestival.org
On April 2 there will be another round of auditions in Budapest at the French Institute. After these rounds I have to pick the young singers who get to compete in these exciting productions among others:
Maria de Buenos Aires by Astor Piazzolla http://piazzolla.org
Senza sangue by Peter Eotvos http://eotvospeter.com
Elegy for Young Lovers by Hans Werner Henze http://wikipedia.org
After the Easter Holidays I am going to do pre-rehearsals for Dr. Faust by Ferruccio Busoni, a semi-staged production that I will be conducting at the Budapest Opera in May.